This is how I painted a special Ragdoll cat... 1) There are various reasons why I decided to paint this Ragdoll. She is a particularly beautiful cat who has stunning blue eyes, lots of very soft white and grey fur as well as very long whiskers. She is also much loved by her cat “parents”… 2) Originally, this was going to be a square picture. However, I decided that the cat’s whiskers naturally led the viewer’s eye into the painting (i.e. a rectangular portrait made a better composition…). 3) First of all, I drew my subject using a soft B pencil. 4) Then, using a putty rubber, I lifted off as much of the pencil as I could, whilst leaving a feint pencil outline. Otherwise, the pencil lead becomes trapped under the paint and dirties the painting… 5) I used an old, fine brush to apply the masking fluid (to protect the white areas, including the whiskers). 6) Although this cat is white, I can see lots of different colours in her fur and even in her eyes. I used all of these colours plus yellow ochre… 7) The paper is often quite wet when I am painting. It is important to avoid little puddles, whenever possible. They can be removed by using a dry brush and kitchen towel. 8) Quite often, I turn my stimulus photo and my painting upside down and paint like that as it helps me to observe my subject better… 9) A subject’s eyes are super important - for the success of the painting - so I look carefully at: the eye shape; where the highlights are; and the various colours that I can see in the eyes. Like all things in life, if you want to get better, it really helps to practise. 10) I look at my source photo regularly throughout the whole painting process and I often do not remove the masking fluid for quite a long time. However, it is crucial to not leave the masking fluid on the paper for too long or it may stain and even damage the paper. 11. When I am mid painting, I take the time just to sit and look at what I have done so far. I consider colour and tone in particular. 12. The last two pictures show the difference between the painting under electric light (yellowish) and then in natural light…(infinitely preferable). Happy Painting.